When I was a kid my brother would regularly draw football (soccer) kits: jersey, shorts, socks — the works. With him being older, I would usually copy whatever it was he was doing (including asking for the same Valencia CF home jersey one Christmas, which understandably infuriated him – “We’re not twins, dickhead!”). So, I picked up a variety of colouring pencils and began to draw (or to be more accurate design) my own kits. (Yes, brother, you and I were in fact practising fashion design.)
Alas, my designs weren’t up to much; there was a subtle art to designing a football kit — get too carried away and you’d wind up with something more appropriate for an LSD trip than the football pitch (although some goalkeepers jerseys over the years have definitely sparked thoughts of tripping balls).
My desire to draw didn’t end with football kits: extraterrestrial sketches, bubblified cartoons, watercolour paintings… I would attempt to tap into the creative well that existed on my mam’s side and show what I could do (for the sports genes, see the old man’s side)… which, clearly, wasn’t very much. My brother, however, certainly had a talent which he never fully pursued (although he’d tell you he wasn’t very good, which is inaccurate to say the least).
Anyway, I had tried my hand at it, and I learned early on that I definitely wasn’t going to be the next Edward Hopper, Ilya Repin, Todd McFarlane… or Vivienne Westwood.
Which leads me to the following statement: I’m hardly an authority when it comes to the visual arts.
But I do have an uneducated opinion I can share, kind of like someone on the TV who has zero understanding of basic economics talking about minimum wage and price controls — it’s an opinion we really shouldn’t take too seriously.
But if I may indulge myself, I’d like to share my unqualified thoughts on the work of someone I greatly admire, the one and only Chip Kidd.
Now, when I say share my thoughts, I mean I’m gonna share some of my favourite works by Mr. Kidd — i.e. his book cover designs I admire most — and scribble a few words underneath each design, basically something like, “I dig this because the colours are nice. Isn’t the picture he used here really impactful? Don’t I sound like I know what I’m talking about?”
Chip Kidd is probably one of — if not the — best-known graphic designers around, and he’s created book covers for major names in literature including Haruki Murakami, Cormac McCarthy, Bret Easton Ellis, Michael Crichton, Jay McInerney, Donna Tartt, Michael Chabon, John Updike, and David Sedaris. His designs have also graced the covers of the perennial publications Rolling Stone and TIME.
So, let me share my most-loved works by this master designer, complete with uninformed thoughts on a subject I know nothing about…
1. Imperial Bedrooms – Bret Easton Ellis
The rather disappointing sequel to Ellis’ debut novel Less Than Zero, Imperial Bedrooms was released in 2010 to mixed critical response. Apathy, narcissism, violence, and debauchery are regular features in the author’s work, and this novel doesn’t shy away from delving into hedonistic territory. Kidd’s design does a good job at capturing the superficiality and overindulgence that permeates Ellis’ oeuvre.
2. Jurassic Park – Michael Crichton
Every now and then Kidd takes a minimalist approach to his designs. For Michael Crichton’s sequel to his now legendary Jurassic Park (arguably thanks to Spielberg’s blockbuster adaptation), Chip’s minimal execution works quite effectively: Black, white, red. Unglamorous font. Menacing T-Rex gonna bite ya… Simples.
3. Faster – James Gleick
This one speaks for itself. So clever. One of my favourites beyond Kidd’s work, that’s for sure.
4. The Dark Knight Returns – Frank Miller
Maybe it’s because I purchased Miller’s iconic graphic novel years ago and it’s been on my bookshelf since, but this cover instantly screams “You know you want to read this. You know it, you bastard. Now OPEN ME!!” Mr. Kidd has designed many graphic novel/comic book covers over the years, including Watchmen, Before Watchmen, Rough Justice, and All-Star Superman.
5. The Wind-Up Bird Chronicle by Haruki Murakami
I could have included this purely because The Wind-Up Bird Chronicle is my favourite Murakami novel. But there’s something mysterious, magical, and alluring about the cover, prompting the potential reader to pick up the book and become a curious cat. (Murakami fans will appreciate that last line).
6. Villain by Yoshida Shuichi
Various human bones positioned to form the shape of a pistol + hot pink. I’m sold… Even the position of the text feels right.
7. Reporting by David Remnick
The long-time editor of The New Yorker and Pulitzer Prize-winning writer David Remnick published Reporting in 2007 — a collection of his writings from the aforementioned mag. Again, Chip’s execution is simple and, in my opinion, perfect in its simplicity.
8. The Little Friend – Donna Tartt
Oh dear God — Kill it! Kill it!! (Now that’s an effective book-cover design).
9. Gulp – Mary Roach
It could be down to this cover bringing out my inner perv because it reminds me of the poster for Inside Deep Throat, or it could be that it’s simply pretty cool.
10. Seek My Face – John Updike
This is just one of a number of pieces Chip Kidd has designed for the late American great John Updike. This painting-style (if it isn’t actually a painting), brush-stroke cover implores us to — as the title asks — seek a face. It’s somewhat suffocating, almost haunting, certainly striking.
11. What I Talk About When I Talk About Running – Haruki Murakami
Okay, so maybe I’m a little biased towards this one for two reasons: 1) it’s Murakami, and 2) he took the title for his memoir on long-distance running from one of my favourite collections, What I Talk About When I Talk About Love, by the hugely influential short story writer Raymond Carver. But besides all that, Kidd’s once again simple design finds a way of being effortlessly striking: The formidable font towers above the minuscule figure of the Japanese author on one of his many runs, giving us an idea of the mammoth tasks he regularly faces when tackling marathons, triathlons, and ultra-marathons, even well into his sixties. Which is all the more impressive when you consider he was a heavy smoker until his early thirties. Oh, Haruki, we’re not worthy!
12. No Country for Old Men – Cormac McCarthy
The great American author Cormac McCarthy originally wrote No Country For Old Men as a screenplay (which begs the question: Did the Coen brothers read his draft before writing their own for their faithful 2007 Oscar-winning adaptation?). Anyone familiar with either the novel or the film will know the pickle Llewelyn Moss finds himself in having stumbled across the aftermath of a drug deal gone wrong — and a bagful of cash. They’ll also be familiar with the seemingly unstoppable monster who pursues Moss, the truly terrifying Anton Chigurh. For me, Kidd manages to convey the feeling of helplessness — of being hunted — as the lonely silhouetted figure traverses the red-hot, baking terrain, as the sun goes down… possibly for the last time.
There you have it — some of my favourite Chip Kidd book cover designs. And now I’m hearing the call for last orders.
Until next time, I will be in the bar, with my head on the bar . . .
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