Thoughts on the Work of Book Cover Designer Chip Kidd

When I was a kid my brother would regularly draw football (soccer) kits: jersey, shorts, socks — the works. With him being older, I would usually copy whatever it was he was doing (including asking for the same Valencia CF home jersey one Christmas, which understandably infuriated him – “We’re not twins, dickhead!”). So, I picked up a variety of colouring pencils and began to draw (or to be more accurate design) my own kits. (Yes, brother, you and I were in fact practising fashion design.)

Alas, my designs weren’t up to much; there was a subtle art to designing a football kit — get too carried away and you’d wind up with something more appropriate for an LSD trip than the football pitch (although some goalkeepers jerseys over the years have definitely sparked thoughts of tripping balls).

My desire to draw didn’t end with football kits: extraterrestrial sketches, bubblified cartoons, watercolour paintings… I would attempt to tap into the creative well that existed on my mam’s side and show what I could do (for the sports genes, see the old man’s side)… which, clearly, wasn’t very much. My brother, however, certainly had a talent which he never fully pursued (although he’d tell you he wasn’t very good, which is inaccurate to say the least).

Anyway, I had tried my hand at it, and I learned early on that I definitely wasn’t going to be the next Edward Hopper, Ilya Repin, Todd McFarlane… or Vivienne Westwood.

Which leads me to the following statement: I’m hardly an authority when it comes to the visual arts.

But I do have an uneducated opinion I can share, kind of like someone on the TV who has zero understanding of basic economics talking about minimum wage and price controls — it’s an opinion we really shouldn’t take seriously.

But if I may indulge myself, I’d like to share my unqualified thoughts on the work of someone I greatly admire, the one and only Chip Kidd.

Now, when I say share my thoughts, I mean I’m gonna share some of my favourite works by Mr. Kidd — i.e. his book cover designs I admire most — and scribble a few words underneath each design, basically something like, “I dig this because the colours are nice. Isn’t the picture he used here really impactful? Don’t I sound like I know what I’m talking about?

Chip Kidd is probably one of — if not the — best-known graphic designers around, and he’s created book covers for major names in literature including Haruki Murakami, Cormac McCarthy, Bret Easton Ellis, Michael Crichton, Jay McInerney, Donna Tartt, Michael Chabon, John Updike, and David Sedaris. His designs have also graced the covers of the perennial publications Rolling Stone and TIME.

So, let me share my most-loved works by this master designe, complete with uninformed thoughts on a subject I know nothing about…

1. Imperial BedroomsBret Easton Ellis

BEE Imperial Bedrooms

The rather disappointing sequel to Ellis’ debut novel Less Than Zero, Imperial Bedrooms was released in 2010 to mixed critical response. Apathy, narcissism, violence, and debauchery are regular features in the author’s work, and this novel doesn’t shy away from delving into hedonistic territory. Kidd’s design does a good job at capturing the superficiality and overindulgence that permeates Ellis’ oeuvre.

2. Jurassic ParkMichael Crichton

Chip Kidd - The Lost World by Michael Crichton

Every now and then Kidd takes a minimalist approach to his designs. For Michael Crichton’s sequel to his now legendary Jurassic Park (arguably thanks to Spielberg’s blockbuster adaptation), Chip’s minimal execution works quite effectively: Black, white, red. Unglamorous font. Menacing T-Rex gonna bite ya… Simples.

3. FasterJames Gleick

Chip Kidd - Faster by James Gleick

This one speaks for itself. So clever. One of my favourites beyond Kidd’s work, that’s for sure.

4. The Dark Knight ReturnsFrank Miller

Chip Kidd - The Dark Knight Returns by Frank Miller

Maybe it’s because I purchased Miller’s iconic graphic novel years ago and it’s been on my bookshelf since, but this cover instantly screams “You know you want to read this. You know it, you bastard. Now OPEN ME!!” Mr. Kidd has designed many graphic novel/comic book covers over the years, including Watchmen, Before Watchmen, Rough Justice, and All-Star Superman.

5. The Wind-Up Bird Chronicle by Haruki Murakami

Chip Kidd - The Wind-Up Bird Chronicle by Haruki Murakami

I could have included this purely because The Wind-Up Bird Chronicle is my favourite Murakami novel. But there’s something mysterious, magical, and alluring about the cover, prompting the potential reader to pick up the book and become a curious cat. (Murakami fans will appreciate that last line).

6. Villain by Yoshida Shuichi

Chip Kidd - Villian by Yoshida Shuichi

Various human bones positioned to form the shape of a pistol + hot pink. I’m sold… Even the position of the text feels right.

7. Reporting by David Remnick

Chip Kidd - Reportings by David Remnick

The long-time editor of The New Yorker and Pulitzer Prize-winning writer David Remnick published Reporting in 2007 — a collection of his writings from the aforementioned mag. Again, Chip’s execution is simple and, in my opinion, perfect in its simplicity.

8. The Little FriendDonna Tartt

Chip Kidd - The Little Friend by Donna Tartt

Oh dear God — Kill it! Kill it!! (Now that’s an effective book-cover design).

9. GulpMary Roach

Chip Kidd - Gulp by Mary Roach

It could be down to this cover bringing out my inner perv because it reminds me of the poster for Inside Deep Throat, or it could be that it’s simply pretty cool.

10. Seek My FaceJohn Updike

Chip Kidd - Seek My Face by John Updike

This is just one of a number of pieces Chip Kidd has designed for the late American great John Updike. This painting-style (if it isn’t actually a painting), brush-stroke cover implores us to — as the title asks — seek a face. It’s somewhat suffocating, almost haunting, certainly striking.

11. What I Talk About When I Talk About RunningHaruki Murakami

Chip Kidd - What I Talk About When I Talk About Running by Haruki Murakami

Okay, so maybe I’m a little biased towards this one for two reasons: 1) it’s Murakami, and 2) he took the title for his memoir on long-distance running from one of my favourite collections, What I Talk About When I Talk About Love, by the hugely influential short story writer Raymond Carver. But besides all that, Kidd’s once again simple design finds a way of being effortlessly striking: The formidable font towers above the minuscule figure of the Japanese author on one of his many runs, giving us an idea of the mammoth tasks he regularly faces when tackling marathons, triathlons, and ultra-marathons, even well into his sixties. Which is all the more impressive when you consider he was a heavy smoker until his early thirties. Oh, Haruki, we’re not worthy!

12. No Country for Old MenCormac McCarthy

Chip Kidd - No Country for Old Men by Cormac McCarthy

The great American author Cormac McCarthy originally wrote No Country For Old Men as a screenplay (which begs the question: Did the Coen brothers read his draft before writing their own for their faithful 2007 Oscar-winning adaptation?). Anyone familiar with either the novel or the film will know the pickle Llewelyn Moss finds himself in having stumbled across the aftermath of a drug deal gone wrong — and a bagful of cash. They’ll also be familiar with the seemingly unstoppable monster who pursues Moss, the truly terrifying Anton Chigurh. For me, Kidd manages to convey the feeling of helplessness — of being hunted — as the lonely silhouetted figure traverses the red-hot, baking terrain, as the sun goes down… possibly for the last time.

There you have it — some of my favourite Chip Kidd book cover designs. What did you think? Do you have any favourite book covers you’d like to share? How about some designers I may like? Feel free to add a comment in the box below — and thanks for reading.

Book Cover Reveal!

Getting the cover for your debut novel right when you’re on the verge of self-publishing is not only pretty important; it’s also quite challenging! Here’s an update of where I’m at with the cover for ‘Leaving Sadie’, which hits shelves this summer.

So, the brilliant designer Chloë Keogan designed these three covers . . .

img-20180402-wa00051460223776.jpg

Sadie Design 2

img-20180402-wa0004595338904.jpg

That was after we had gone through a number of concepts. When I posted the three covers on Facebook and on this blog I got some invaluable feedback on each one (thanks again!), as well as some butterflies in my stomach at the thought of putting this out there for people to see (can’t imagine what it’s going to be like when I finally publish the work!).

When we tallied all the votes we found that most people leaned towards cover 1, with cover 2 in a close second. Personally, I was leaning towards cover 2, and this presented me with a conundrum: How would I decide on the cover when I’m leaning towards one and most people are leaning towards another?

Well, Chloë suggested printing the covers and putting them on physical books I have in my apartment. So we did that. Chloë also brought along some alternative versions of each cover to try on for size. Chaos kind of ensued . . .

Choosing Sadie Cover

(Okay, I concede that doesn’t look so chaotic. Exaggeration can help sell a story, though)

As I looked at the covers, it occurred to me: something is missing.

And this wasn’t an oversight on Chloë’s part; she had delivered exactly what I’d asked for—she was right on brief every step of the way! This was on me and my direction/requests.

It was only when I held the covers (or fake Sadie books) in my hands that I realized they weren’t true to the tone of the novel; the story focuses on the often turbulent nature of relationships and the madness of the arts (and of course the madness that is family :p), but it does it with a wink and a smile—there’s plenty of playfulness in there. And that’s what was missing from the covers we had in our hands: a sense of fun and adventure.

Then Maria got involved . . .

Maria & Moi

(That’s Maria, my girlfriend. She’s a very beautiful and talented woman, and she can do an incredible dolphin impression. Anyway . . .)

The three of us sat down, drank tea and chucked around ideas. Then Chloë went away, worked her magic like she always does, and came back with a brilliant new design (something of a redesign of cover 1).

So, let me reveal to you the latest draft of the cover for my novel. This is close to the finished version; only small changes will be made in the coming weeks. Here it is:

Leaving_Sadie_Final_NEW-01

Like it? Let me know what you like about it! Hate it? Tough shit, buddy!

Thanks again for all the comments and help along the way. And thanks to Chloë for being incredibly patient and for her unique talent. You can check out her work on her website.

More updates on the novel coming soon!

Pax,

S.J.

Book Cover – Opinions Wanted!

As I contemplated the idea of self-publishing my novel, I asked myself: how would the book cover look? Well, I decided to hire a talented designer named Chloë Keogan to work her magic and create some covers for me, and here are three I’m considering using. But which is best? Which one stands out more? If you have a moment, take a look and let me know the cover you like best.

Merci beaucoup!