Below you’ll find brief outlines and mood boards for some of my screenplays that are currently being shopped.
A tense psychological drama set in Dublin, Ireland, but which could be updated for a North American setting.
‘A young offender must attend mandatory anger management classes following his release from prison. These sessions are led by a charismatic American psychologist who, it turns out, shares a history with the troubled young man, the dark nature of which is slowly revealed as the story unfolds.
Meanwhile, our protagonist finds himself drifting towards criminal activity, unable to escape the lure of a quick deal; his path to a new start. But a fresh beginning may already be on the cards when he meets a hard-headed bar worker. The question is: can he get on top of his demons and give himself a chance to get his life back on track?’
“On the Count of Three”
A script that harks back to the detective crime capers of old, with a stylistic, charming touch; I like to think of it as Raymond Chandler meets The Coen Brothers meets Wes Anderson.
‘A lovable but morally questionable private investigator who’s struggling to make ends meet is tasked with tracking down a failed writer, leading him into a world of danger, drama, dogs, and Edith Piaf covers.’
“Let’s Talk About Sex”
A romantic comedy in the Woody Allen mould; this playful script is a study on relationships, romance, and eccentric individuals.
‘A couple who’ve found their relationship in a crisis turn to a sex therapist’s program in a bid to rescue their marriage. The husband, a well-established editor of books, is dealing with his latest client’s novel – and her capricious character. The wife, a successful fashion designer, has developed a crush on a young model. Add to this their troubles in the bedroom and you’re left with a recipe for drama, debates, and sex jokes.’
“Visitors for Grace”
‘A well-off family convenes on a lush estate for the imminent death of matriarch, Grace; a gathering which leads to the inevitable: plenty of family friction. Add to that a reckless enfant terrible, a failing marriage, a dysthymic wife, a frustrated doctor, and a family secret, and you’ve got a melodrama only a killjoy would want you to miss.’
“Like Father / Like Son”
‘Bobby Adams arrived in Los Angeles at the age of twenty-one with big dreams of becoming an actor. Four years later—the present—he finds himself working as a barista and taking whatever odd acting jobs his irascible agent Jack Robertson can land him. When on the verge of giving up on the dream and moving home, Bobby is called by Jack who informs him of an audition for an unusual role: to play the part of the deceased son of the wealthy business-magnate Richard Watts. Only the part is to be played in real life, not in a movie. The gig pays very well, and desperate for money, Bobby decides to attend the audition. While at the audition he meets fellow-actor Wynona Wesley, who he immediately develops a crush on. Bobby lands the part, and the tumultuous weeks that follow serve to give Rob a new perspective on life, love, and Hollywood.’
“A Significant Nothing”
A short script about human behaviour and relationships in the age of social media and increasingly invasive, ever-absorbing, frequently distracting technology.
‘An introverted doctor who lives a life removed from the hustle and bustle of the city in which he works has found it difficult to make genuine connections with people for most of his adult life. Despite being romantic at heart, he has become disconnected, resigning himself to a life on his own. But when he treats an odd, overly anxious patient, he gets that inexplicable feeling in the pit of his stomach, and he’s hopeful for the first time in a long time that he has found someone with whom he can connect.
The question is — has he found hope in a hopeless person?’
A short version of an idea I had for a feature screenplay. Will likely be developed into a 90-minute script.
‘A disgraced former banker seeks redemption in a missing person’s case, only those closest to him plead with him to stop, not least because of his theory of what happened to the lost boy, and where he could be found… in the sea’.